Our urban and geographic environment is in a constant state of transformation. My work explores states of change between order and chaos that relate to the experience of environmental shift. Painting and Installation Art are modes of communicating our sensitivity to environmental factors; these practices provide me with a cadence and context through which to express ideas visually. My installations explore order/chaos theory by invoking abstraction through architecture, landscape, natural disaster, and a tactile response to image-making. The paintings are a meditation on movement, permutation, and gesture; boundary coordinates operating between space and color.
 
My paintings explore ideas of Fold, Gesture and Movement. These are approached in two ongoing series; Solid Movement and Folding Gesture. Solid Movement is an investigation into gesture and its ability to encapsulate time and psyche, fuse internal and external, and record conceptual state changes in solidified form. Folding Gesture explores changes in spatial order that appear fractured or fragmented. These states can remain calm or reconfigure coherence in the painting. I am interested in the connection between a fold as it relates to architecture or design and gesture as it relates to aspects of drawing and 20th century painting. This series struggles to define beauty, exploring abstraction as incident and artifact of the process in which paint is applied, exposing interior and exterior spaces that may not coexist. There is a constant struggle between surface and ground; between paint and the boundaries within the painting. This series of work attempts to unify my sculptural endeavors with my interests in painting.
 
Over the past seven years I have explored site-specific installation. Installations built encompass three-dimensional landscapes frozen in the midst of a chaotic event. This “event” is reminiscent of a landscape that has been caught in a fictitious disaster. By incorporating drawing and painting with objects and found materials, this ignites play between the structure of the gallery and the theatrics of the painterly gesture and their united associations. This sense of theater is a formal extension of the shadows cast by gallery lights, the configuration of the wall, ceiling, and the intrinsic architectural nature of the given space.
 
Overall, my work explores space; both physically and psychologically. This refers to “Space” as it is applied to a two dimensional surface, or a three dimensional location.
 
 
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